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Eva Vermandel (born 1974) is a photographer born in Belgium in 1974 who relocated to London in 1996 to live and work. Known for her still and timeless portraits which often bear references to painting (the Flemish Primitives, Ingres, Bronzino), her photographs have appeared in a wide range of magazines such as The Wire, Telegraph Magazine, Independent Magazine, Mojo, The New York Times Magazine and W (USA). Vermandel has had solo exhibitions at the Douglas Hyde Gallery〔(Douglas Hyde Gallery ), Retrieved 13 April 2010.〕 in Dublin and the Whitechapel Gallery and the ICA in London. Her work is in the collections of the V&A,〔(V&A ), Retrieved 13 April 2010〕 the National Galleries of Scotland and the National Portrait Gallery,〔(Eva Vermandel (1974-) ), Retrieved 13 April 2010.〕 London. ==Publications== *''Alabama Chrome'': a photo essay on the economic boom in Ireland at its peak in 2006, commissioned and published by the Douglas Hyde Gallery, Dublin.〔 *''Med sud í eyrum vid spilum endalaust'': a photo diary on the Icelandic band Sigur Rós,〔http://www.sigur-ros.co.uk/ Retrieved 13 April 2010.〕 following them through the process of recording and touring between April and June 2008.〔(Sigur Rós: Med sud í eyrum vid spilum endalaust ) Artbook. Retrieved 13 April 2010.〕 *''Splinter'': a monograph on a body of work created between 2006 and 2012, published by Hatje Cantz in 2013. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Eva Vermandel」の詳細全文を読む スポンサード リンク
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